Sunday, June 5, 2011

A Poem About a Waitress

A Poem About a Waitress 

This is a poem about a waitress 
I saw at a diner last night.
I didn’t talk to her very much 
because I don’t talk to waitresses very much, 
especially the ones who are attractive.
And this one, in particular, was attractive,
so we didn’t talk 
more than we were supposed to.

When a waitress like her
takes my order,
when she says, “Hi, how are you?”
or when she scribbles little circles
with her red ball-point pen
in the corner of her paper pad
until the ink finally flows,
I gotta keep away.
I'm married, you see,
and I like to say
that in my own small way
I keep monogamy going.

She was wearing the outfit: a clean white
shirt that buttoned in the front,
black pants, black shoes, an apron,
but with her the uniform was different.
It was the way she wore the clothes,
the way they fit,
the way she moved,
but I don't want to get
carried away.
I'll just say
one more thing:
her hair was brown.

Was she sad?
The smile left her face
just before she turned her head
and walked back into the kitchen,
where she took orders from
short-tempered cooks and a lazy boss
who don’t understand her,
who don’t appreciate her.
They just give her orders
and then they go home.

I wanted to ask the waitress
if she liked Elvis Presley
and I wanted to tell her
that I had a motorcycle
and my name was Hunter,
but the only things we talked about
were where I wanted to sit
and what I wanted to eat
and what I wanted to drink.
Maybe she mentioned the weather.

And all I did was give her my order.
And all I asked her for a was
a hamburger, some french fries
and a soda.

A few minutes later
she brought me the burger,
the fries and the drink
and then she looked at me and said
“Let me know if you want anything else.”

After the meal my head felt hot.
I found my car in the parking lot.
I got inside and drove it home,
and this is the absolute end of this poem
because I don't want to talk about it anymore.

3 comments:

Anonymous said...

you changed this one too. but I really like this one.

Anonymous said...

Instead of doing poetry in a traditional, respectful style, (you know, rhyme, meter, symbolism for the reader) Telemoonfa has chosen to do a modern, messed-up version of poetry.

telemoonfa said...

The anonymous commenter at 1:24 is making a clever jab at what I wrote about NAU's choice to do Two Gentlemen of Verona: The Musical, in my post, "NAU's 2011-2012 Theatre Season."

I don't think there's anything wrong with Shakespeare done in interesting new ways. The rock and roll version of Two Gentlemen of Verona could be really cool, and I mean that, honestly. But I think it's almost become more normal to do modernized, crazy versions of Shakespeare than it is to do the traditional, respectful style. I think there's a danger in too much satire, (and I know I'm guilty of this myself) too much modern revamping of old classics. When mostly everything is a satire or a clever reworking of masterpieces, and the masterpieces themselves are hardly ever done, I think that's a problem somehow. For example, a lot of people, including me, enjoyed the movie "Enchanted" but most kids these days haven't seen the original Disney movies that "Enchanted" is referencing and spoofing. How many people liked The Brothers Grimm movie directed by Terry Gilliam but never read any of the original fairy tales? Spaceballs can't exist without Star Wars, and while Spaceballs is funny, Star Wars is more important. Star Wars is primary, Spaceballs is secondary.

Oh, and honestly the reason why I don't do much rhyme and meter in poetry is because it's really really hard. I know, I know, that's a lame excuse, but hey everybody's got to do what they can to get by.